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    <meta content="Barrett, Margaret S." name="eprints.creators_name" />
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<meta content="This article draws on systems views of creativity and their application in music education, to argue
that young children's independent invented song making evolves from their early musico-communicative
interaction with others, is evidential of their capacity for elaboration, and is foundational
in the development of creative thought and activity in music. The argument is explored through
the analysis of data generated in a longitudinal study of young children's (aged four to six years)
early music making as composers, song makers, and notators. Focusing specifically on children's
invented song, the article provides case study analysis of the song making of a four-year-old girl
that explores the musical and lyric content, and the environmental features (context) that support
and shape her song making (process) and invented songs (product). The implications of such a
view for early childhood theory and practice are discussed." name="eprints.abstract" />
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<meta content="International Journal of Early Years Education" name="eprints.publication" />
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<meta content="Barrett, M. S. (1999) Modal dissonance: an analysis of children's invented notations of known
songs, original songs, and instrumental compositions, Bulletin of the Council for Research in
Music Education, 141, 14-22.
Barrett, M. S. (2002) Invented notations and mediated memory: a case-study of two children's use
of invented notations, Bulletin of the Council for Research in Music Education, 153/154, 55-62.
Barrett, M. S. (2003) Meme engineers: children as producers of musical culture, International
Journal of Early Years Education, 11(3), 195-212.
Barrett, M. S. (2005) Children's communities of musical practice: some socio-cultural implications
of a systems view of creativity in music education, in: D. J. Elliott (Ed.) Praxial music education:
reflections and dialogues (New York, Oxford University Press), 177-195.
Bjorkvold, J. (1989) The muse within: creativity and communication, song and play from childhood
through maturity (W. H. Halverson, Trans.) (New York, HarperCollins).
Campbell, P. S. (1998) Songs in their heads (Oxford, Oxford University Press).
Campbell, P. S. (2002) The musical cultures of children, in: L. Bresler &amp; C. Marme Thompson
(Eds) The arts in children's lives: context, culture, and curriculum (Dordrecht, Kluwer), 57-69.
Corsaro, W. (2000) Early childhood education, children's peer cultures, and the future of childhood,
European Early Childhood Education Research Journal, 8(2), 89-102.
Csikszentmihalyi, M. (1996) Creativity (New York, HarperCollins).
Csikszentmihalyi, M. (1999) Implications of a systems perspective for the study of creativity, in: R.
J. Sternberg (Ed.) Handbook of creativity (Cambridge, Cambridge University Press), 313-335.
Csikszentmihalyi, M. &amp; Rich, G. J. (1997) Music improvisation: a systems approach, in: R. K.
Sawyer (Ed.) Creativity in performance (Greenwich, CT, Ablex.), 43-66.
Davidson, L. (1994) Songsinging by young and old: a developmental approach to music, in: R.
Aiello with J. Sloboda (Eds) Musical perceptions (Oxford, Oxford University Press), 99-130.
Davies, C. (1986) Say it till a song comes: reflections on songs invented by children 3-13, British
Journal of Music Education, 3(3), 279-293.
Davies, C. (1992) 'Listen to my song': a study of songs invented by children aged 5-7 years, British
Journal of Music Education, 9(1), 19-48.
Dissanayake, E. (2000) Art and intimacy: how the arts began (Seattle, University of Washington Press).
Dissanayake, E. (2001) Aesthetic incunabula, Philosophy and Literature, 25, 335-346.
Dowling, W. J. (1984) Development of musical schemata in children's spontaneous singing, in: W.
R. Crozier &amp; A. J. Chapman (Eds) Cognitive processes in the perception of art (Amsterdam,
North-Holland), 145-163.
James, A., Jenks, C. &amp; Prout, A. (1998) Theorizing childhood (New York, Teachers College Press).
Malloch, S. (1999) Mothers and infants and communicative musicality, Musicae Scientiae (Special
Issue), 29-57.
Mang, E. (2001) A cross-language comparison of preschool children's vocal fundamental
frequency in speech and song production, Research Studies in Music Education, 16, 4-14.
Mang, E. (2005) The referent of children's early songs, Music Education Research, 7(1), 3-20.
Moog, H. (1976) The musical experience of the pre-school child (Trans. C. Clarke) (London, Schott).
220 M. S. Barrett
Moorhead, G. E. &amp; Pond, D. (1978) Music of young children (Santa Barbara, CA, Pillsbury
Foundation for Advancement of Music Education) (reprinted from works published in 1941,
1942, 1944, and 1951).
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Deliege and J. Sloboda (Eds) Musical beginnings (Oxford, Oxford University Press), 88-112.
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verbal and behavioural predictors of creative performance, Creativity Research Journal, 11(3),
243-263.
Stake, R. (1995) The art of case study research (Thousand Oaks, CA, Sage).
Sternberg, R. J. &amp; Lubart, T. A. (1999) Defying the crowd: cultivating creativity in a culture of conformity
(New York, Free Press).
Sundin, B. (1998) Musical creativity in the first six years, in: B. Sundin, G. E. McPherson &amp; G.
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35-56.
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British Journal of Music Education, 19(1), 73-88.
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biological foundations of music: Annals of the New York Academy of Sciences, 903, 1-6.
Trehub, S. E. (2003a) The developmental origins of musicality, Nature Neuroscience, 6(7), 669-
673.
Trehub, S. E. (2003b) Musical predispositions in infancy: an update, in: I. Peretz &amp; R. Zatorre
(Eds) The cognitive neuroscience of music (Oxford, Oxford University Press), 3-20.
Trehub, S. E. (2003c) Toward a developmental psychology of music, in: G. Avanzini, C. Faienza,
D. Minciacchi, L. Lopez &amp; M. Majno (Eds) The neurosciences and music: Annals of the New
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Trevarthen, C. (2002) Origins of musical identity: evidence from infancy for musical social awareness,
in: R. A. R. MacDonald, D. J. Hargreaves &amp; D. Miell (Eds) Musical identities (Oxford, Oxford
University Press), 21-38.
Trevarthen, C. &amp; Malloch, S. (2000) The dance of well-being: defining the musical therapeutic
effect, Nordic Journal of Music Therapy, 9(2), 3-17.
Welch, G. F. (2000) Singing development in early childhood: the effects of culture and education
on the realisation of potential, in: P. White (Ed.) Child voice (Stockholm, Royal Institute of
Technology), 27-44.
Welch, G. F., Rush, C. &amp; Howard, D. M. (1991) A developmental continuum of singing ability:
evidence from a study of five-year old developing singers, Early Childhood Development and
Care, 69, 107-119.
Welch, G. F., Sergeant, D. C. &amp; White, P. (1996) The singing competences of five-year-old
developing singers, Bulletin of the Council for Research in Music Education, 127, 155-162.
Welch, G. F., Sergeant, D. C. &amp; White, P. (1998) The role of linguistic dominance in the acquisition
of song, Research Studies in Music Education, 10, 67-74.
White, P., Sergeant, D. C. &amp; Welch, G. F. (1996) Some observations on the singing development
of five-year-olds, Early Childhood Development and Care, 118, 27-34." name="eprints.referencetext" />
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    <h1 class="ep_tm_pagetitle">Inventing songs, inventing worlds: the 'genesis' of creative thought and activity in young children's lives</h1>
    <p style="margin-bottom: 1em" class="not_ep_block"><span class="person_name">Barrett, Margaret S.</span> (2006) <xhtml:em>Inventing songs, inventing worlds: the 'genesis' of creative thought and activity in young children's lives.</xhtml:em> International Journal of Early Years Education, 14 (3). pp. 201-220. ISSN 0966-9760</p><p style="margin-bottom: 1em" class="not_ep_block"></p><table style="margin-bottom: 1em" class="not_ep_block"><tr><td valign="top" style="text-align:center"><a href="http://eprints.utas.edu.au/1917/1/CIEY_A_187919_O.pdf"><img alt="[img]" src="http://eprints.utas.edu.au/style/images/fileicons/application_pdf.png" class="ep_doc_icon" border="0" /></a></td><td valign="top"><a href="http://eprints.utas.edu.au/1917/1/CIEY_A_187919_O.pdf"><span class="ep_document_citation">PDF</span></a> - Full text restricted - Requires a PDF viewer<br />181Kb</td></tr></table><p style="margin-bottom: 1em" class="not_ep_block">Official URL: <a href="http://dx.doi.org/10.1080/09669760600879920">http://dx.doi.org/10.1080/09669760600879920</a></p><div class="not_ep_block"><h2>Abstract</h2><p style="padding-bottom: 16px; text-align: left; margin: 1em auto 0em auto">This article draws on systems views of creativity and their application in music education, to argue
that young children's independent invented song making evolves from their early musico-communicative
interaction with others, is evidential of their capacity for elaboration, and is foundational
in the development of creative thought and activity in music. The argument is explored through
the analysis of data generated in a longitudinal study of young children's (aged four to six years)
early music making as composers, song makers, and notators. Focusing specifically on children's
invented song, the article provides case study analysis of the song making of a four-year-old girl
that explores the musical and lyric content, and the environmental features (context) that support
and shape her song making (process) and invented songs (product). The implications of such a
view for early childhood theory and practice are discussed.</p></div><table style="margin-bottom: 1em" cellpadding="3" class="not_ep_block" border="0"><tr><th valign="top" class="ep_row">Item Type:</th><td valign="top" class="ep_row">Article</td></tr><tr><th valign="top" class="ep_row">Additional Information:</th><td valign="top" class="ep_row">http://www.tandf.co.uk/journals/titles/09669760.asp</td></tr><tr><th valign="top" class="ep_row">Subjects:</th><td valign="top" class="ep_row"><a href="http://eprints.utas.edu.au/view/subjects/330199.html">330000 Education &gt; 330100 Education Studies &gt; 330199 Education Studies not elsewhere classified</a></td></tr><tr><th valign="top" class="ep_row">ID Code:</th><td valign="top" class="ep_row">1917</td></tr><tr><th valign="top" class="ep_row">Deposited By:</th><td valign="top" class="ep_row"><span class="ep_name_citation"><span class="person_name">Mrs Anita Cubit</span></span></td></tr><tr><th valign="top" class="ep_row">Deposited On:</th><td valign="top" class="ep_row">27 Sep 2007</td></tr><tr><th valign="top" class="ep_row">Last Modified:</th><td valign="top" class="ep_row">09 Jan 2008 02:30</td></tr><tr><th valign="top" class="ep_row">ePrint Statistics:</th><td valign="top" class="ep_row"><a target="ePrintStats" href="/es/index.php?action=show_detail_eprint;id=1917;">View statistics for this ePrint</a></td></tr></table><p align="right">Repository Staff Only: <a href="http://eprints.utas.edu.au/cgi/users/home?screen=EPrint::View&amp;eprintid=1917">item control page</a></p>
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